Digital DJing – modern day jungle

It’s a jungle out there. A jungle of different digital DJing platforms, controllers, sound cards and all.

Being a “traditional DJ” is much easier. If you play vinyl (like we all did back in the good old days) you had couple of choices, and in 99% of the cases it was a Technics turntable.

Couple of years forward, in the new millennium playing CDs got easier and Pioneer CDJ-1000 became an industry standard.

Now you can play music from your laptop with a digital DJing system, control the music with CDs, turntables or a controller. And that is just why it’s so damn complicated.

There are too many options.

Personally I think digital DJing with CD/vinyl control is just a short phase before everyone is starting to mix within the software with their dedicated controllers. The problem at the moment preventing that is that there isn’t a industry standard like in playing cd or vinyl.

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Ableton and Serato present The Bridge

When Ableton announced in October 2008 their partnership with Serato I was super excited. I’ve been producing solely in Ableton and I have also tried to DJ with Ableton, controlled by Pioneer DJM-800, but at that point it didn’t feel right, I didn’t feel comfortable with it.

Serato has been in the game of digital DJing for more than 10 years, their Serato Scratch has been a choice of several DJ’s during the years, and especially among hip hop scene, using control vinyls to control music on your laptop, has been “the” way to DJ.

While Serato has been strong name in hip hop, Native Instrument‘s Traktor has quickly risen to be the equivalent to Serato in EDM.

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Are you a DJ or a controllerist?

Turntablism is mostly for hiphoppers, right? But the concept of controllerism might fit better into the electronic scene. We have moved into an era where the Mac-lit DJ is more common than the jock playing plastic plates. Since anyone can make flawless beatmixes with cheap gear now, you have to give credit to those digital artists that take more creative use of computers and its controllers.

From Wikipedia: Controllerism is the art and practice of using musical software controllers (e.g. MIDI, OSC, Joystick, etc) to build upon, mix, scratch, remix, effect, modify, or otherwise create music, usually by a Digital DJ or “Controllerist”.

The gear manufacturers are throwing out a lot of controllers for DAWs and digital DJ’ing, but real controllerists create their own equipment. Now you might argue that this extreme use of controllers is relevant only for artists performing live electronic music. But isn’t computer DJ’ing based on pretty much the same?

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